|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
PAINTINGS:
Walnut Oil, Egg Tempera, Pine Resins, and Frankincense
Painted on Wood Panels. |
|
|
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
One
of my earliest memories as a child was the way death and religion played
an important role in my family's life. My parents were born in Mexico
with traditional beliefs, and their beliefs made their way into my subconscious.
The fact that many of those beliefs seemed to render no logical explanation
has also influenced me. These unanswered questions find a home in my work,
which evokes the mystery, fear and irony of those vivid memories of my
past. I do not claim to understand these questions. I just paint and let
them reveal themselves to me.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DRAWINGS:
Silver Point, Graphite, India Ink, Wax, Carcoal
on Wood Pulp Paper and Antique Paper. |
|
|
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
|
|
 |
|
|
|
I
continue to be amazed and inspired by many artists both past and present,
who have been successful in capturing the complexities of the human spirit.
We run from those things that we cannot explain. These are the things
that we must attempt to explain through art. All the beauty and tragedy
that is life. The world between imagination and completion is an infinite
one. It is a solitary journey, yet the many paths are full of wanderers
who are also searching and eager to share their findings.
I am most influenced by the great amount of human suffering that has occurred
throughout history and one's undying faith in the after life. Often times
I am subconsciously influenced by world attitudes or stories and also
by the people I am closest to. I prefer to keep an open mind and let the
subject matter take on a life of its own.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
THREE
DIMENSIONAL OBJECTS:
Sculpture |
|
|
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ARTWORK
FOR BANDS:
Calexico, Good Charlotte, P.O.D. , Pantera |
|
|
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PRINT:
The Process of Making a Serigraph |
|
|
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PUBLIC
ART:
Enhancing and Transforming the Existing Physical
Environment |
|
|
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Terrazzo
Project, 2010
Black Mountain Police Precinct
City of Phoenix Office of Arts and Culture Public Arts Program
|
|
|
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Centro Project, 2011
Parkwise Parking Garage
T.P.A.C. Public Art Program
|
|
|
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Historic
Hotel Congress, 2006
Proscenium and Terrazzo Entrance
Commissioned by Richard and Shana Oseran
|
|
|
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|

|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Nimbus
Micro Brewery, 2009
Designed Wall Mural and Entrance Marquee
Commissioned by Jim Counts
|
|
|
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
San
Antonio de Padua Catholic Church, 2003
Created Two Large Altarpieces
Commissioned by Suzana Davila
|
|
|
|
Ponies
del Pueblo, 2003
Life Size Sculpture
Commissioned by T.P.A.C. |
|
|
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Luminarias
del Pueblo, 2004
Designed Two Metal Sculptures
Commissioned by T.P.A.C.
|
|
|
|
SACRED
MACHINE MUSEUM:
Art Exhibitions and Musical Performances |
|
|
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
 |
|
|
| |
|
|
|
|
|
|